Influential singer-songwriter Fred Neil was born 90 years ago, on March 16, 1936, in Cleveland. Neil, who died of cancer in 2001 at age 65, came to prominence as part of the Greenwich Village folk scene in the early-to-mid 1960s.
His deep voice, deft 12-string guitar playing, and insightful songs made an impact on many of his contemporaries and the artists who followed in his wake.
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Early in his career, Neil worked as a songwriter at the famed Brill Building in New York City. In 1962, he formed a short-lived folk duo with Vince Martin before starting to release his own solo albums.
Neil never sought out fame and enjoyed little commercial success himself, although his songs were covered by many popular artists starting in the 1960s. After releasing a handful of albums, Fred withdrew from the music business.
Relocating to Southern Florida, Neil rarely performed live after 1971. His main focus became the Dolphin Research Project, a dolphin conservation organization he co-founded in 1970.
While Fredโs own under-the-radar recordings are wonderful, many of the best-known versions of his songs are by other artists. Here is a look at four fabulous covers of tunes written or co-written by Neil:
โCandy Manโ by Roy Orbison (1961)
In 1961, Neil teamed up with a fellow Brill Building songwriter to write the tune โCandy Man.โ Ross previously had co-written โLollipop,โ which became a No. 2 hit in the U.S. for The Chordettes in 1958.
Fred wanted to write a song with Ross that also featured a sweet, confectionary theme and suggested โCandy Man,โ noting it was a term that prostitutes in New Orleans used for their pimp. Ross wasnโt enamored at all with that concept but liked the title and came up with lyrics about a guy offering a woman heโs pursuing sweet affection.
Roy Orbison recorded โCandy Manโ and released it as the B-side of his chart-topping 1961 ballad โCrying.โ โCandy Manโ became a lesser hit for Orbison, reaching No. 25 on the Billboard Hot 100. Neilโs own version of โCandy Manโ appeared on his debut 1965 solo album, Bleecker & MacDougal.
โEverybodyโs Talkinโโ by Harry Nilsson (1968)
โEverybodyโs Talkinโโ is undoubtedly the most famous song written by Neil. His original version appeared on his self-titled second solo album, which was released in 1966.
Harry Nilsson recorded a cover of โEverybodyโs Talkinโโ that was featured on his 1968 album Aerial Ballet. In 1969, Nilssonโs version of the tune was selected for use in the Oscar-winning film Midnight Cowboy. Re-released as a single that year, it became Harryโs breakthrough hit, peaking at No. 6 on the Hot 100.
In 1970, Nilsson won a Grammy in the Best Contemporary Vocal Performance, Male category for โEverybodyโs Talkinโ.โ
Hundreds of other artists have recorded versions of the song over the years.
โThe Other Side Of This Lifeโ by Jefferson Airplane (1969)
Neil wrote a song called โOther Side To This Lifeโ that was featured on his Bleecker & MacDougal album.
Legendary Bay Area psychedelic band Jefferson Airplane, which began as a folk-rock group, were fans of Neil. The band regularly covered โOther Side To This Lifeโ in concert, starting in 1965.
Fred eventually befriended the group and spent some time visiting the members at their house in San Franciscoโs Haight-Ashbury neighborhood. Airplane singer Grace Slick nicknamed Fred โPoohneilโ because he reminded her of Winnie the Pooh. Neil partially inspired the 1967 Jefferson Airplane song โThe Ballad Of You & Me & Pooneil,โ which was written by singer/rhythm guitarist Paul Kantner.
Jefferson Airplane included a searing, acid-rock cover โOther Side To This Life,โ retitled โThe Other Side Of This Life,โ on their 1969 live album Bless Its Pointed Little Head.
The cover was recorded in October 1968 at the famous San Francisco venue the Fillmore West.
Bless Its Pointed Little Head reached No. 17 on the Billboard 200 chart. The Airplane also opened their set at the historic 1969 Woodstock Festival with โThe Other Side Of This Life.โ
โThe Dolphinsโ by Linda Ronstadt (1969)
โThe Dolphinsโ was an atmospheric tune Neil wrote that first appeared on his 1966 self-titled album. Besides โEverybodyโs Talkinโ,โ itโs gone on to be his most-covered composition.
While the song seems to reflect Fredโs deep fascination with and regard for the aquatic mammals, the lyrics are enigmatic. The tune seems be about the desire to escape the violent contemporary world for a more peaceful existence, like the undersea life of the dolphin.
Linda Ronstadt was among many artists who covered โThe Dolphins.โ Her version appeared on her 1969 album Hand Sewn โฆ Home Grown, which was her first release solely under her name following the breakup of her folk-rock group The Stone Poneys.
Ronstadtโs cover of โThe Dolphinsโ featured some twangy country influences and was highlighted by Lindaโs powerful, plaintive vocals.
(Photo by Don Paulsen/Michael Ochs Archives/Getty Images)








