As someone who prefers to work in silence and spends most of my evenings rehearsing in various musical projects, the vast majority of my music listening is spent in the car, when thereโs nothing to do besides drive and tune in. While Iโm open to new music, Iโm admittedly the kind of person who sticks with a regular playlist of around 40-50 songs that never get old, like these four Top 40 hits from 1970.
โSpirit In The Skyโ by Norman Greenbaum
โSpirit In The Skyโ by Norman Greenbaum is probably one of my favorite songs of all time, and Iโm not even remotely religious. (That guitar tone might be enough to get me to convert, though.) From the fat, fuzzy riffs to the infectious melodic hook, this is a song I could probably listen to 100,000 more times and still love it just as much as I did the first time I heard it. Shout-out to Norman Greenbaum for giving us one incredible song, only to disappear from the public eye in ten years.
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โLolaโ by The Kinks
When I was younger, I wished my name was Lola. Stuck with Melanie, I acquiesced to the idea of naming my child Lola. Was part of this because of the Lindsay Lohan teen flick, Confessions Of A Teenage Drama Queen? Yes, certainly. But it was also partially because of The Kinksโ track. As a child, I thought it was a catchy, cool song. As an adult, I realize that โLolaโ has to rank among the best Top 40 hits of all time, let alone the 1970s, about gender fluidity and experimentation.
โMississippi Queenโ by Mountain
Much like โSpirit In The Skyโ, I will never tire of listening to โMississippi Queenโ by Mountain because the guitar tones are simply too good. The cowbell deserves an honorable mention, too. The pure, unadulterated rock โnโ roll groove is one that has yet to get old, as far as the occupants of my little Honda named Rhonda are concerned. (Read: Itโs me. Iโm the occupant.)
โGreen-Eyed Ladyโ by Sugarloaf
Sugarloaf doesnโt get enough credit for the absolute banger that โGreen-Eyed Ladyโ really is. Sure, itโs among the Top 40 hits of the 1970s. But as far as classic rock radio and general public memory are concerned, this track is often overlooked for more ubiquitous alternatives. Meanwhile, Iโll still be in my car, absolutely blasting this track through my already-incredibly-worn-out speakers.
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