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5 Most Psychedelic Pink Floyd Songs

Pink Floyd is practically synonymous with the genre of psychedelic rock. Right from the opening moments of their 1967 debut album, The Piper at the Gates of Dawn, their music takes its listeners to another dimension. Throughout their catalog, Pink Floyd has employed unusual sounds and panning techniques that create a very trippy experience.

The centrality of psychedelia to Pink Floydโ€™s music has waned over the years, so in curating a list of the bandโ€™s five most psychedelic songs, the albums from 1977โ€™s Animals forward are not represented here. The latter part of their discography has its moments, but if you want to hear the version of Pink Floyd that is positively steeped in psychedelia, these tracks offer the best starting point.

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5. “Flaming

This song from The Piper at the Gates of Dawn, written and sung by Syd Barrett, features a distantly whirring Farfisa organ, a droning Hammond organ, bells, and the clicking sound of toys being wound up. Barrett accompanies this concoction of sounds with lyrics about sitting on unicorns and sleeping on dandelions. The scene is definitely not of this earth.

4. “Welcome to the Machine

The entirety of 1975โ€™s Wish You Were Here has a spacy feel, but no track from the album has a greater psychedelic vibe than this one. It begins with the whirring, buzzing, and pulsating noises of the titular machine, and the spareness of the arrangement throughout gives the listener a feeling that is both ethereal and sinister. Despite the songโ€™s bleak message of disillusionment with the rock star lifestyle, it takes us on a beautiful sonic journey.

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3. “Set the Controls for the Heart of the Sun

Just the title of this Roger Waters composition from A Saucerful of Secrets lets you know youโ€™re in for a cosmic adventure. The repetition of the songโ€™s main riff and Nick Masonโ€™s incessant drum pattern (played with timpani mallets) are entrancing, and Watersโ€™ pillow-soft vocals and the ringing sound of a vibraphone, played by Richard Wright, make the song all the more mesmerizing.

2. “Time”

Any number of tracks from Dark Side of the Moon could have made this list, but there was absolutely no way that this song could be omitted. The onslaught of alarms and chimes at the songโ€™s beginning disorient the listener, and then Masonโ€™s echoing rototoms take us on yet another trip through space andโ€ฆyou guessed itโ€ฆtime.

1. “A Saucerful of Secrets”

The title track from Pink Floydโ€™s 1968 album fills the first 12 minutes of Side 2, and is a suite consisting of four movements. The first of these movements, โ€œSomething Else,โ€ starts quietly with a spooky organ and a variety of sound effects, ultimately reaching a dramatic crescendo after four minutes. The second movement, โ€œSyncopated Pandemonium,โ€ is truth in advertising, as discordant piano chords play over a looped drum pattern. The spooky organ returns briefly for โ€œStorm Signal,โ€ which then gives way to the concluding movement, โ€œCelestial Voices.โ€ Each section is distinct, which creates the experience of embarking on a distant journey. The trip is mostly a bumpy and disturbing one, but the mellotron and chorus of โ€œcelestial voicesโ€ in the songโ€™s concluding movement provide for a reassuring and safe return to everyday life.

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