Reviews

Amanda Shires: Down Fell the Doves

amanda-shires-down-fell-the-doves
Amanda Shires
Down Fell the Doves
(Lightning Rod)
Rating: 3.5 out of 5 stars

Nashville by way of Texas fiddler/singer-songwriter Shires has been quietly yet consistently amassing a substantial body of work. Her evocative, often poetic, Southern themed lyrics dovetail with predominantly softly delivered, mid-tempo folk rock and a girlish but mature voice that seems to know more than sheโ€™s telling us. This follow-up to 2011โ€™s well received Carrying Lightning further refines her talents. The addition of recent husband/guitarist Jason Isbell along with noted producer Andy LeMaster (Bright Eyes, REM) ups her game considerably.

These songs, as implied by the discโ€™s title, can be extremely dark. Thatโ€™s especially the case as โ€œBox Cuttersโ€ describes various ways to commit suicide with the following โ€œDeep Dark Belowโ€ elaborating on the conduct of the devil inhabiting the minds of ordinary people (โ€œhe puts on the body and clothes of someone you think you knowโ€). Musically, the sparse yet incisive accompaniment, often augmented by Shiresโ€™ spooky violin, reflects the often brooding lyrical concerns. The terrific opening triad of tunes though, highlighted by โ€œDevastateโ€โ€™s throbbing rock and the swampy Latin tinged โ€œBulletproofโ€ sets a bar too high for the rest of the albumโ€™s eight songs to meet.

An excess of slower, confessional pieces like the bare โ€œIf I,โ€ the waltz time โ€œStayโ€ and the jazz tinged โ€œA Song for Leonard Cohenโ€ place their wonderfully elegiac lyrics above melodies that seem too monochromatic, especially when bunched together.

The consistently sympathetic playing, production and singing along with occasional experimental flourishes make this an album youโ€™ll return to. Its intriguing concepts, detailed sound and the wonderful way Shires strings words together as effectively as she bows her instrument take time to absorb and impress.