
The Artist Growth team is Jonathan Sexton, Joey Dempster, Matt Urmy, and Jacob Jones.
Singer-songwriter Matt Urmy was touring a lot in 2010 and 2011, often with his Knoxville buddy Jonathan Sexton. Sometimes they were joined by Nashville-based artist Jacob Jones, and the three friends billed themselves as the Rollin Highway Review.
Urmy says he had taken a few years off after his son was born, but then hit the road again โwith a whole new focus and determination, as you can imagine.โ
The musicians were sharing notes about touringโdiscussing resources and tools for touring musiciansโwhen they hatched a plan for a better solution for managing a musicianโs career on the road.
In July 2011, Urmy and Sexton began building a web and mobile platform for touring artists and their teams called Artist Growth. The product was designed to keep track of merchandise, scheduling, contacts, and promotional efforts.
Before Artist Growth launched in January 2012, there werenโt many solutions for keeping track of things on the road.
โThe really organized people are using Google Docs and spreadsheets,โ says Urmy. โOthers are using legal pads, or not doing anything.โ
(A company called Eventric handles tour logistics through mobile and web applications for clients ranging from Zac Brown Band and Dave Matthews Band to emerging artists.)
Artist Growth soon started talking to managers and record labels in Nashville and elsewhere about their new product.
โFrom the managers and labels, there was a little bit of concern early on that they would feel like we were trying to digitally replace them,โ says Urmy.
But once industry leaders in Nashville saw the Artist Growth platform, Urmy says they realized it would help streamline their process. (Joe Galante, the former chairman of Sony Music Nashville, was an early supporter.)
While an artistโs record sales and social media reach provide data thatโs easily analyzed and tracked, itโs often hard to take full advantage of a fanโs purchase of a t-shirt from the merch stand after a concert.
Urmy says the driving force for building Artist Growth was a desire to better capture that valuable data from artistsโ careers on the road. They plan to integrate mobile payment technology into the Artist Growth system, a further step towards streamlining the at-the-venue process.
The road can still be a hard place for artists to make money, but at least now theyโll have better tools for making their offline efforts succeed.
Correction: A previous version of this article implied that Eventric only handles large-scale tours, while in fact a majority of the company’s customers are bands on the club circuit.
