Hal Horowitz

Reviews

11.17.21

Review: The Stewart Copeland/Adrian Belew Fronted Gizmodrome Delivers Live Intensity for Fusion Fans
Joe Grushecky (photo courtesy Randex PR)

Reviews

11.15.21

Review: Pittsburgh Icon Joe Grushecky Gets a Well Deserved Expanded 25th Anniversary Reissue for ‘American Babylon’
Reviews

11.11.21

Review: Rod Stewart Returns with a Mixed Bag
Reviews

11.04.21

Review: Neal Francis Shifts His ‘80s Blue-Eyed Soul and Funk Closer to Mainstream on ‘In Plain Sight’
Reviews

11.01.21

Review: The Tedeschi Trucks Band Revives ‘Mad Dogs and Englishmen’ in a Revelatory Documentary
Album Reviews

10.29.21

Review: Hayes Carll Delivers on ‘You Get It All’
Reviews

10.27.21

Review: ‘Time Clocks’ Pushes Joe Bonamassa’s Blues Rock Boundaries
Album Reviews

10.26.21

Review: My Morning Jacket Returns in a Big Way on Self-Titled Album
Reviews

10.21.21

Review: Veteran Players Jason Ricci and Joe Krown Ignite on the Sizzling ‘City Country City’
Reviews

10.20.21

Review: Join Sue Foley and Her Guitar ‘Pinky’ for a Texas Blues Bash
Reviews

10.19.21

Review: Blues Rocker Davy Knowles Downplays His Guitar Talents in Favor of Taut Songwriting
Reviews

10.07.21

Review: A Highlight of the Violent Femmes’ Catalog Gets a Classy Expanded Overhaul
Reviews

10.06.21

Review: The Dan Auerbach Produced The Velveteers Debut is a Dark Themed Gem
Reviews

10.05.21

Review: ‘Play Loud’ Moves The Blues Rocking The Record Company Closer to the Mainstream
Reviews

10.01.21

Review: Daptone Celebrates 20 Years with Spectacular ‘Souled Out’ 2014 Live Performance
Reviews

09.30.21

Review: Loveland Duren’s Pop Reflects the Duo’s Memphis Roots
Reviews

09.28.21

Review: Steely Dan and Donald Fagen Live Releases Stick Closely To Their Studio Counterparts
Reviews

09.22.21

Review: The Double Album Length ‘Sad And Beautiful World’ Explores Both Sides Of Jesse Malin’s Talents
Reviews

09.16.21

Review: Roots Veteran Tommy Castro Crafts a Provocative and Unique Blues Song Cycle
Album Reviews

09.16.21

Review: ‘Gotta Have the Rumble,’ Brian Setzer