Track Reviews

Buck Owens: Record Store Day 7″ Of Lost Recordings

A new L.A.-based record label, Omnivore Recordings, is celebrating its launch with two limited-edition vinyl releases. The owners – industry vets from the likes of Rhino and Warner-Chappell – are no strangers to the diminishing market of music sales. But, nevertheless, for love or sheer madness, they’re going the whole-hog on their boutique vinyl label.

And Ominvore’s first two releases are a double-doozy, coinciding with Record Store Day, the rallying cry for the vinyl faithful that comes to your town this Saturday, April, 16. Omnivore has unearthed two early Buck Owens recordings for a 7″ 45 on yellow vinyl limited to 1,300 copies (half of which are going for sale in Europe). Even more stunning is a reissue of Big Star’s Third on 180-gram vinyl. (More on that one tomorrow.)

The Buck Owens’ A side, a never-released version of “Close Up The Honky Tonks,” comes from a January 28, 1964, session – which originally yielded the hit โ€œMy Heart Skips A Beat.โ€ This version of the Buckaroo staple – adopted affectionately by Gram Parsons and Dwight Yoakam – was recorded five months prior to the known version of the song. As a companion to โ€œHonky Tonks,โ€ the B side is an early version of โ€œMy Heart Skips A Beat,โ€ recorded during the 1963 sessions that produced Owensโ€™ first hit, โ€œAct Naturally.โ€ Interestingly, both songs on the Omnivore 45 feature Owensโ€™ musical sidekick and Buckaroosโ€™ leader, Don Rich, on fiddle instead of lead guitar, which heโ€™d begun adopting by these โ€˜63 sessions.

“Fifty-one thousand, three-hundred and thirty-eight. Take eight,” comes the voice of the engineer at the start of โ€œHonky Tonks.โ€ The song lacks the interplay of Richโ€™s Tele lines and Tom Brumleyโ€™s sweeping pedal steel part from the later version. In the key of B, a whole step lower than the later version, Owens dips a tad lower into his register for the descending melody. While itโ€™d be hard to make a case for these early versions over the released versions that came to define the Bakersfield sound, the 45 is a treasure for record collectors and a delight for Buck Owens enthusiasts.