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Chvrches, LCD Soundsystem Sizzle at Bonnaroo

Churches plays the Bonnaroo The What Stage on Friday June 10, 2016
Churches performing on the Bonnaroo The What Stage. Photo by Mike Stewart.

Chvrches

The main stage was abuzz with electronic-powered actsย Fridayย night.ย Scottish trio Chvrches redeemed their strange and oddly short 2014 performance with a killer set around sunset, with an ethereal-looking Lauren Mayberry bursting with energy as she ran around the stage for the entire duration of the show. Though they were served a slight injustice with their set time — the bandโ€™s stunning light show lost a lot of its impact in the daylight — the seamlessness of the performance kept morale high among fans standing in the nearly 100-degree heat.

Mayberry and company got started with recent hit โ€œNever Ending Circlesโ€ before launching into old favorites like โ€œWe Sinkโ€ and โ€œGunโ€ and tracks โ€œEmpty Threat,โ€ โ€œHigh Enough To Carry You Overโ€ and โ€œKeep You On My Sideโ€ from the bandโ€™s 2015 albumย Every Open Eye.

Repeating the surprise appearance the band pulled out for a Nashville show in late 2015, Paramore singer Hayley Williams took the stage to join Mayberry on โ€œBury It,โ€ with Mayberry noting that it was Williamsโ€™ first ever Bonnaroo appearance. That seems odd, considering Paramoreโ€™s massive success and the generally high number of Nashville acts that tend to play the festival every year, but Williams knocked her debut out of the park either way. The band closed with their career-launching hit โ€œThe Mother We Share,โ€ which Mayberry introed with a slow, smoldering, nearly a-cappella version of the songโ€™s chorus.

James Murphy of LCD Soundsystem plays The What Stage
James Murphy of LCD Soundsystem performing on The What Stage. Photo by Mike Stewart.

LCD Soundsystem

A packed crowd welcomed LCD Soundsystem to the stage at minutes past 11 and got dancing right away as the band kicked into โ€œUs V Them,โ€ a track from their 2007 album Sound of Silver, and staple โ€œDaft Punk Is Playing At My Houseโ€. The showโ€™s sound was remarkably flawless, potentially the best of any Bonnaroo set in recent years. Though festival sound can often be a bit muddy, each of the instruments was impeccably balanced with the others, and even fans in the very back of the crowd could make out Murphyโ€™s words with an unwavering crispness.

A few songs in, singer James Murphy took a moment to announce that the band were all highly hungover after a night of partyingย on Thursdayย and thanked the crowd for its patience, though it wasnโ€™t obvious whatsoever that the trio were operating at anything less than 100 percent. Whether it was the truth or a bit of stage banter aimed to raise morale, the crowd roared into thunderous cheers at Murphyโ€™s confession.

Over the duration of the hour and a half set, Murphy danced and kicked through most of the bandโ€™s most popular songs, including โ€œI Can Change,โ€ โ€œYou Wanted A Hit,โ€ โ€œTribulations,โ€ โ€œYeah (Crass Version),โ€ โ€œNew York, I Love You But Youโ€™re Bringing Me Down,โ€ โ€œDance Yrself Cleanโ€ and closer โ€œAll My Friendsโ€. It was a triumphant return for LCD Soundsystem, one that certainly washed away any residual resentment amongst fans over the bandโ€™s breakup five years ago.