Associations with all things hedonistic, demonic, and destructive are par for the course for being in a rock โnโ roll band. When external tragedies inevitably feed into these narratives, it can be even harder for a band to get out of the shadow of the publicโs dark perception of them. Over the course of their decades-long career, nothing illustrates this point quite like The Rolling Stonesโ 1968 track โSympathy For The Devilโ and its implications after the Altamont Speedway Free Festival.
Organizers predicted the Altamont Speedway Free Festival would be a West Coast version of Woodstock. However, the event would come to define the end of counterculture, not its perpetuity, after disaster broke out across the festival grounds. At various points throughout the festival, there were hit-and-run car accidents, incidents of drowning, and, most notably, the murder of a young Black man named Meredith Hunter, a frantic and chaotic crime that took place in the middle of the crowd.
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The Rolling Stones were on stage while this was happeningโa violent and tragic consequence of the Hells Angels running security with too few resources and there being too many people (and drugs) at the venue. The bandโs proximity to these horrific events inevitably bled into the publicโs perception of them and their songs, too.
Mick Jagger Said โSympathy For The Devilโ Felt Different After Altamont
The Altamont Speedway Free Festival effectively marked the end of the counterculture movement. The free love craze had flown too close to the sun, so to speak, and people were finding out about the negative consequences of prolonged psychedelic drug use in real time. The entire experience was like a bucket of ice-cold water, dousing the zeitgeist. People wondered, โCould songs like โSympathy For The Devilโ be to blame?โ
Jagger, however biased he may be, would later say the greater societal implications werenโt burdening him too greatly. In a 1995 interview with Rolling Stone, Jagger said the news of Meredith Hunterโs murder was โjust awful. You feel a responsibility. How could it all have been so silly and wrong?โ
โBut I didnโt think of these things that you guys thought of, you, in the press: this great loss of innocence, this cathartic end of the eraโฆ I didn’t think any of that. That particular burden didnโt weigh on my mind,โ he continued. โIt was more how awful how it was to have had this experience and how awful it was for someone to get killed and how sad it was for his family.โ
Still, Jagger admitted that he couldnโt help but shy away from songs like โSympathy For The Devilโ after a moment like that. โIt became so involved with [Altamont], sort of journalistically and so on.โ Black magic, Jagger said, was โnot really what I meant.โ
Photo by Ron Pownall/Getty Images
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INDIO, CALIFORNIA – APRIL 25: (FOR EDITORIAL USE ONLY) (NOT TO BE LICENSED FOR ANY STANDALONE OR SPECIAL INTEREST BOOK PUBLISHING USE CONCERNING THE COACHELLA MUSIC FESTIVAL AND/OR STAGECOACH MUSIC FESTIVAL) Wynonna Judd is seen at Guy Fieriโs Stagecoach Smokehouse during the 2026 Stagecoach Festival at Empire Polo Club on April 25, 2026 in Indio, California. (Photo by Matt Winkelmeyer/Getty Images for Stagecoach)







