The tension between The Beatles and John Lennonโs second wife, Yoko Ono, is almost as ubiquitous as the Fab Four themselves. Onoโs arrival intoโand subsequent ostracization fromโthe group became a misogynistic trope for a woman who is perceived to be โbreaking upโ a band. This โus versus herโ mentality persisted through the final years of The Beatles and into the 1970s, especially as the band broke off into their solo endeavors in direct competition with Lennon and Ono.
But after Lennonโs tragic death in 1980, Paul McCartney started to reconsider his perception of Ono. He felt like his late friend would have wanted him to remain close to Ono and her son, Sean. In an interview sometime around the late 1980s or early 90s, McCartney recalled the first time he tried to phone Ono and reconnect.
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She asked McCartney why he was contacting her, so he explained that he felt like he should reach out on behalf of Lennonโs memory. โShe said, โWell, donโt do me any favors,โ you know. ‘Donโt do it out of pity or sympathy. I donโt want that. I donโt want charity.’โ McCartney admitted that he felt taken aback at first. But he knew she was right.
Paul McCartney Realized He Was Wrong About Yoko Ono
Years after The Beatlesโ breakup, John Lennonโs murder, and Paul McCartneyโs reconnecting with Yoko Ono, McCartney could clearly see where he had been wrong about Ono. He admitted to making negative assumptions about her while The Beatles were still together, which inevitably bled into the bandโs dynamic. โI thought she was a hard woman,โ McCartney said. โI donโt think she is now.โ Now, he said, โI think sheโs just the opposite. I think sheโs very loving, caring.โ
He continued that his initial impression that Ono was โpushyโ was likely a response to her strong sense of identity. She wasnโt willing to bend to meet other peopleโs expectations, nor was she willing to shrink herself to make others feel more comfortable. McCartney said that her โhonestyโ was what hurt some people.
At the time of this interview, McCartney had already faced his own kind of backlash about a romantic partner. When he started Wings following The Beatles’ breakup, his choice to include his wife, Linda McCartney, had a bristling reaction amongst the general public. Suddenly, Paul found himself defending Lindaโs creative significance in his career, much like his friend was doing with his wife.
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