Reviews

Richard X. Heyman: Tiers/ And Other Stories

Richard X. Heyman
Tiers/ And Other Stories
(Turn-Up)
[Rating: 3 stars]

Power Pop fans probably will recognize Heymanโ€™s name for his well-received but not commercially successful albums he did in the lateโ€™80s and early โ€˜90s. Although rather quiet over the last decade, he has returned in a big way: A 31-song, double-disc concept project. The first disc, Tiers, looks back at his courtship of his now-wife as well as his search for rock stardom in Los Angeles, while the second disc, Other Stories, offers โ€“ as the name suggests โ€“ other stories from his life.

Heyman crafts a very full sound on this home studio effort, on which he plays 20 instruments. The first thing long-time fans will notice, however, is that his main instrument here is the piano, not the guitar. As a result, he sounds like a far less astringent Warren Zevon with some touches of Randy Newman and Brian Wilson on this disc.

Despite this stylistic shift, Heyman still retains is a fine sense of pop craftsmanship, with this 2-disc set is dotted with marvelously melodic tunes. On the Tiers side, the standouts include the twangy tune, โ€œGood To Goโ€ and the upbeat travelogue โ€œFire In The Country.โ€ With โ€œOne Thing I Still Have,โ€ one of the rare guitar-flavored tracks, he serves up a sunny Sixties-style love ode while โ€œGolden In This Townโ€ is a soulful, somewhat Stevie Winwood-like number.

โ€œGame Stays The Sameโ€ reveals some of the projectโ€™s strengths and weaknesses. This buoyant Brian Wilson-esque song about L.A., the song also contains a spoken word reading of a letter that Heyman wrote to his girlfriend, which comes off feeling somewhat awkward and overly personal. In fact, the disc often feels too much a personal story. For example, โ€œThe Real Deal,โ€ about trying to make it as a musician, is weighed down by too much exposition.

The second disc similarly contains some top-flight tunes as well as some (mostly the more orchestral pop ballads) that fade into the background. Tracks like โ€œWhen Willy Played Guitarโ€ (honoring to a now-deceased old friend/bandmate) and the uptempo โ€œBranded In The Skyโ€ stand out among the Other Stories, with โ€œNo Time To Rest On Sundayโ€ and โ€œThe Day Before Tomorrowโ€ also being strong efforts. One of the most moving tracks is โ€œThe Finish Line,โ€ a song about morality that ranks up with Warren Zevonโ€™s best songs. A Zevon flavor also can be heard in songs like โ€œHustlerโ€™s Land Stand,โ€ โ€œEveryoneโ€™s Moving In The Wrong Direction,โ€ and โ€œThereโ€™s A Trainโ€ but Heyman display a gentler touch with the material.

Thereโ€™s no denying that this double-disc piece is an ambitious effort, and while sometimes his ambitions get the better of him, Heyman shows that he still is a talented pop tunesmith.