Reviews

Sting: Live In Berlin

Sting Featuring The Royal Philharmonic Concert Orchestra
Live In Berlin
Deutsche Grammophon/Universal

[Rating: 4 stars]

The confidence and star quality that makes Sting Sting are as vibrant as ever on Live In Berlin, a recording taken from the ambitious Symphonicity tour that saw Sting present a symphonic career retrospective to sellout crowds worldwide. Only a handful of performers of the rock era have had the goods to back up their reputations of greatness. Sting has always been one of them, and proves in this DVD/CD package that he still is.

Live In Berlin chronicles pretty much Stingโ€™s entire recording career, from โ€œRoxanneโ€ to โ€œYou Will Be My Ain True Love,โ€ his duet with Alison Krauss from the Cold Mountain soundtrack, to โ€œWhenever I Say Your Name,โ€ his duet with Mary J. Blige. Those latter two feature Australian jazz vocalist Jo Lawry, who covers the entire showโ€™s harmony parts. Sting clearly revels in having his music interpreted by an orchestra on the two-plus-hour DVD, and while itโ€™s somewhat odd to hear Police hits like โ€œKing of Painโ€ and โ€œEvery Breath You Takeโ€ with an orchestra and sans Summers and Copeland, Sting, along with conductor Steven Mercurio, made sure that the arrangements achieve a near-perfect mix of orchestral verve and Police-style rock โ€˜nโ€™ roll spirit.

The orchestra is filled with top-notch players who can tackle the Middle Eastern spirit of โ€œDesert Rose,โ€ the Prokofiev-inspired introduction to โ€œRussians,โ€ and the playful fun of the Chicago blues-ish โ€œSheโ€™s Too Good for Meโ€ with equal aplomb and appropriateness of feel. Jazz legend Branford Marsalis (heโ€™s old enough to have legendary status by now) plays soprano sax on several tunes, reprising his role from Stingโ€™s Dream of the Blue Turtles days, and Dominic Miller, Stingโ€™s guitarist of the past two decades, handles the primary guitar duties here (except for when Sting himself plays).

As for Stingโ€ฆwell, heโ€™s as fabulous as ever. He still sings great, always on pitch, and picked great songs for this tour. And if you ever wanted to see Sting line dance, well, hereโ€™s your chance, as he and his frontline musicians get down to multiple fiddles on โ€œThis Cowboy Song.โ€ To prove that heโ€™s conquered every musical realm, Sting performs โ€œI Hung My Head,โ€ after making sure the audience knows that Johnny Cash covered it. For a guy whoโ€™s often been accused of being too serious, heโ€™s obviously enjoying life at a hard-to-believe 59, with some of his vocal histrionics being almost over the top but always followed by a smile.

The amount of work that went into these shows โ€“ scoring all these songs for an entire symphony, learning the parts, rehearsing with a music icon with a reputation for perfection โ€“ had to have been a monumental undertaking for everyone. With 22 songs on the DVD and 14 songs on the accompanying CD (five of which arenโ€™t performed on the DVD), some of the songs almost reach the point of being too Boston Pops-ish โ€“- almost. Because just when it feels like theyโ€™re approaching that John Williams 4th-of-July perfection, Mercurioโ€™s uninhibited, and not always pretty, conducting pulls everybody back to rock reality.

Unlike some songwriters whose songs are the stars, letโ€™s make no mistake: The songs, good (or even classic) as they are, still take second billing to the singer here. Sting is, and will always be, a rock star, no matter how old he is, and whether heโ€™s got a classical guitar or a full orchestra behind him. This is a highly enjoyable package both artistically and for its entertainment value, and especially recommended for those of us who can only hope to grow old as gracefully as this artist.