Beach Boys co-founder Brian Wilson crafted some of the most iconic, beachy surf pop of the 20th century, even going so far as to employ a unique (and messy) method songwriting technique to get him in the coastal mood. Wilsonโs approach to sunny songwriting only added to his reputation as an eccentric genius.
The story was just realistic enough to be believable while also being surprising enough to leave room for people to wonder if it was a rumor. Nevertheless, Wilson confirmed the rumors as true during a 1976 interview with Creem.
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Brian Wilson Used a Surprising Method Songwriting Technique
From โSurfinโ in the U.S.A.โ to โCalifornia Girls,โ the Beach Boys certainly lived up to their name of creating the sunniest, beachiest pop music coming out of the West Coast in the 1960s. Their songs captured the essence of a never-ending holiday: crashing waves, the heat of the sun, a sweetie to share it with. For as reclusive and introverted as the primary songwriter Brian Wilson turned out to be, he managed to bottle that beachy feeling into a massively commercially successful career.
The contrast between the songs Wilson wrote and his apparently dark demeanor added to his allure as a celebrity. Speaking to Creem in 1976, he addressed a particularly grainy piece of Brian Wilson lore: whether or not he turned his homeโs dining room into a giant sandbox. โItโs true,โ he told Creem. โI did have a sandbox in my house. It was the size of one room, and we had a piano in the sand. The story about staying home and writing in the sandbox is all true, and itโs pretty close to how I really am.โ
Bruce Johnston, who started filling in for Wilson after he decided to quit touring with the band, remembered the sandbox, too. โThat lasted a month,โ Johnston said with a laugh during a 1976 interview with Sounds. โItโs certainly a legend that gets better with time. As I recall, it got very messy. Weโd go up to his house, and the sand would be all over the floor.โ
The Songwriter Had a Keen Awareness Of Their Musical Legacy
There is no hard and fast proof that Brian Wilson used his giant sandbox to pretend he was on the beach while he wrote songs. In 1966, the media asked Wilson why he filled a room in his house with sand, and Wilson glibly replied, โI donโt know. I just wanted to have a sandbox.โ Whether it was a method songwriting technique or not, it certainly must have helped to put Wilson in a sunnier headspace while spending all of his time at home. While his bandmates might have wanted to move away from the West Coast aesthetic that made them so famous, Wilson knew that their ability to capture that sunny spirit was the goose that laid the golden egg, so to speak.
โItโs not just surfing,โ Wilson told Creem. โItโs the outdoors and cars and sunshine; itโs the society of California; itโs the way of California. Weโre fools to neglect that aspect. I relate to it more than I did because Iโm more aware of the beauties of that type of social concept. Those types of records. Those types of ideas. Theyโre gold. Theyโre sheer gold. And those are the kinds of things the Beach Boys should stick with.โ
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English rock and pop group The Hollies perform the song 'Sorry Suzanne' on the set of the BBC Television pop music television show Top Of The Pops at Lime Grove Studios in London on 27th March 1969. Members of the band are, from left, Tony Hicks, Bobby Elliott, Allan Clarke, Terry Sylvester and Bernie Calvert. (Photo by Ivan Keeman/Redferns)







