“I want to be singular,” Brittany Howard told The Guardian in a recent interview while discussing a moment with Joni Mitchell. โShe was so lovely,โ said Howard. โAnd she felt just as awkward as me, like she had never gotten used to the extravagance they put on us. I really appreciated that, and appreciate her for being so authentic. She did her thing her way and I want to be like that. I want to do my thing my way.”
Howard is definitely doing just that with her forthcoming solo album What Now, which is described as both a resignation and a hopeful look to the future. The album is due out on February 2, 2024, and Howard spent most of the pandemic writing it. She spoke about her catapult to fame with the Alabama Shakes, how she wasn’t necessarily prepared for that drastic change in her life, and how, even through “destruction and fear and chaos” in the world, she’s still thriving, falling in love, and being creative.
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โI feel like the only job I have in this life is to explore my own creativity,โ she said. She described the pandemic as “a dark gift” for her writing process, which birthed What Now, tackling real, tangible issues and experiences she’s had in her life. For example, the song “Goat Head” describes a moment when someone in her neighborhood slashed her father’s tires and left a goat’s head in the backseat, “Earth Sign” is Howard writing a “witchy sort of prayer” for a romantic partner, and “Another Day” is an exploration of the dichotomy of the world’s current situation related to Howard’s experience as a mixed-race queer woman living in the South.
“Theyโre telling me to hide and fear my neighbor, to be suspicious,โ she said of the track, โBut, at the same time, Iโm falling in love. Somehow, among all this destruction and fear and chaos, Iโm still OK.โ
Howard also mentioned that some moments on the album might sound “off,” but that she didn’t correct them because it would be erasing her authentic self. โThere are times on this album when I donโt correct my voice. Itโs not perfect. Itโs strange sometimes. Sometimes itโs a little off. Or maybe Iโm lisping. Thatโs just me. Thatโs who I am, take it or leave it,” she said resolutely.
“That was the whole point,” she continued, speaking of the nature of chaos and beauty and art, “that all these things can exist. Thereโs no neat ending and this isnโt a perfect record. Itโs called What Now โฆ thereโs always gonna be some s–t going down. Who knows whatโs going to happen next? Those are the times to play.โ
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