Many people have tried to emulate Tom Petty and Mike Campbell in their songwriting, melody-making, and guitar playing, but many have fallen short. Whether writing a song รก la Petty or simply covering one of his songs, any musician who has done so can attest to the fact that a lot of Pettyโs music is deceptively difficult. At face value, it might look simple, straightforward, and even easy.
But look a little closer, and one finds an intricate web of clever songwriting tactics. Indeed, there is far more to Tom Petty and the Heartbreakers than Pettyโs catchy melodies or Campbellโs guitar licks. Petty had a knack for expressing ideasโeven entire storiesโin the most effective, uncomplicated way.
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He didnโt worry about layering Baroque turns of phrase into his verses, nor did he worry about writing too deeply in metaphor. Yet, he managed to capture emotions, hopes, pain, and resilience just as much as writers who did. Thatโs what made it special. Thatโs also what makes it so difficult to recreate.
In a 2014 interview with CBC News, Petty touched on his songwriting process, explaining how he managed to create some of the most iconic cuts of rock โnโ roll history, from โRefugeeโ to โFree Fallinโโ to โAmerican Girlโ.
Tom Petty Was a Little Superstitious About His Songwriting
Songwriting is a delicate balance of allowing the muse to speak through you subconsciously and using your conscious brain to refine, rewrite, and polish. Lean too much in either direction, and the magic that makes a good song, well, good, can disappear in an instant. Tom Petty was acutely aware of this risk, as he explained in his 2014 appearance on The National.
โItโs kind of a dangerous business, looking really deeply into, you know, the germ that creates songs,โ Petty warned. โI donโt like to stare at that light very long. I get a little superstitious about it. There is some kind of actual magic going on there. I feel like, for some reason, I was born with some kind of conduit to this energy force or whatever it is, and I can have that happen through me. If I really try to do it or sometimes when Iโm not, Iโm just standing somewhere, at the funniest times, something can come into your head and you think, โThatโs a good line.โโ
In another interview, Petty doubled down on this spontaneous process. โI donโt have a method that always works. The process is so random, and yet it keeps happening. I just look up every year or so, and Iโve got ten more songs.โ
Perhaps the most important lesson every songwriter should take from Petty is this: whatever you do, get out of your own way.
Photo by Michael Ochs Archives/Getty Images
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30th January 1969: British rock group the Beatles performing their last live public concert on the rooftop of the Apple Organization building for director Michael Lindsey-Hogg's film documentary, 'Let It Be,' on Savile Row, London, England. Drummer Ringo Starr sits behind his kit. Singer/songwriters Paul McCartney and John Lennon perform at their microphones, and guitarist George Harrison (1943 – 2001) stands behind them. Lennon's wife Yoko Ono sits at right. (Photo by Express/Express/Getty Images)







