Hal Horowitz

Reviews

10.25.23

Review: The Third Mind Take an Enthralling Voyage with ‘The Third Mind/2’
Reviews

10.25.23

Review: The Kills Return After Seven Years With the Relentless ‘God Games’
Reviews

10.24.23

Review: Robert Finley’s ‘Black Bayou’ Exudes Raw, Swampy Authenticity
Reviews

10.23.23

Review: Eli Paperboy Reed Showcases Vocal and Arranging Talents on ‘Hits and Misses’
Features

10.21.23

The Unconfirmed Subject Behind “A Song For You” by Leon Russell
Reviews

10.21.23

Review: Carrie Newcomer Looks for Beauty in Broken Times on 20th Solo Album
Reviews

10.19.23

Review: Tom Waits’ Gives Essential Island Albums a Long Overdue Overhaul
Reviews

10.18.23

Review: Israel Nash Takes Flight on ‘Ozarker’
Reviews

10.18.23

Jonah Tolchin Travels to Louisiana for the Swamp Blues of ‘Dockside’
Reviews

10.11.23

Review: The Bones of J.R. Jones Catches ‘Slow Lightning’
Reviews

10.10.23

Review: Ida Mae’s ‘Thunder Above You’ Rattles and Hums
Reviews

10.09.23

Review: Harmonica Master Jason Ricci Takes Us ‘Behind the Veil’
Features

10.07.23

The Story Behind “A Song for You” by Leon Russell
Reviews

10.05.23

Review: Wes Bayliss Navigates The Steel Woods’ Fourth Album on His Own Time
Reviews

10.04.23

Review: Joe Bonamassa Returns to the Blues That Initially Inspired Him
Reviews

10.03.23

Review: Take a Trip Back in Time with Nat Myers’ Retro Acoustic Blues
Reviews

10.02.23

Review: The Reissue of ‘Who’s Next’/’Life House’ Should Satisfy the Most Fervent Who Fans
Reviews

09.29.23

The Replacements’ 1985 Classic ‘Tim’ Gets Expanded…And Remixed
Reviews

09.28.23

Review: The Sexy Sounds of The Sextones’ Retro Soul
Album Reviews

09.19.23

Review: Lydia Loveless Leaves No Room for Uncertainty on New Album