Hal Horowitz

Reviews

09.13.23

Review: Margo Cilker Can’t Go Home Again on the Stirring ‘Valley of Heart’s Delights’
Reviews

09.12.23

Review: Buffalo Nichols Re-imagines Deep Blues on the Striking ‘The Fatalist’
Reviews

09.07.23

Review: Joan Osborne Gets Reflective on the Pensive ‘Nobody Owns You’
Reviews

09.06.23

Review: ‘Eat the Worm’ Challenges Jonathan Wilson’s Listeners to Keep Their Minds Open
Reviews

09.05.23

Review: Leon Russell’s Long Overdue Tribute Album is a Mixed Bag
Reviews

08.31.23

Review: Australia’s The Paper Kites Build Their Own Venue To Record ‘At The Roadhouse’
Reviews

08.30.23

Review: Lauren Calve’s Debut ‘Shift’ Inspires Praise From Her Peers
Reviews

08.29.23

Chris Pierce’s Rootsy Soul Elevates The Diverse ‘Let All Who Will’
Reviews

08.23.23

Review: Septuagenarian Alice Cooper Remains Driven on ‘Road’
Reviews

08.23.23

Review: The Pretenders Inject Emotion Into ‘Relentless’
Album Reviews

08.23.23

Review: Morgan Wade’s ‘Psychopath’
Album Reviews

08.22.23

Review: The Teskey Brothers Hit Their Sweet Spot on ‘The Winding Way’
Reviews

08.22.23

Review: Logan Ledger Shares Effortlessly Melodic Tunes on ‘Golden State’
Reviews

08.22.23

Review: Get Down With the 50th Anniversary Edition of Marvin Gaye’s 1973 Classic ‘Let’s Get It On’
Reviews

08.17.23

Review: Talking Heads’ ‘Stop Making Sense’ Gets Classy 40th Anniversary Upgrade
Reviews

08.16.23

Review: Jill Andrews Reminisces on the Reflective ‘Modern Age’
Reviews

08.14.23

Review: Margaret Glaspy’s Tough, Urban Grip Energizes ‘Echo The Diamond’
Reviews

08.11.23

Review: The Buzz is on as The Hives Deliver a Stinging Return
Reviews

08.08.23

Review: Dan Auerbach Wants to ‘Tell Everybody’ About Juke Joint Blues on this Powerful Compilation
Reviews

08.04.23

Review: Is Quadrophonic Sound Back? Rhino Hopes So With Four Releases Pulled From The Vaults