Behind The Song

John Lennon Was Embarrassed About Showing off His Softer, Romantic Side With This Heartfelt Solo Track

Even after The Beatles split up, the publicโ€™s perception of each memberโ€™s individual personalities remained, which is likely why John Lennon felt like he had a reputation to uphold as rock โ€˜nโ€™ rollโ€™s intellectual, sharp-tongued bad boy. That was, after all, the mantle he took up during his brief yet massively influential tenure with the Fab Four. And for the most part, Lennon managed to maintain this image in the early days of his solo career, thanks to his scream-therapy-inspired, avant-garde musical collaborations with his second wife, Yoko Ono.

However, there was one track on Lennonโ€™s 1971 album, Imagine, that he felt didnโ€™t align with the image he had worked so hard to create. Ironically, it was about the woman with whom he felt the most creatively connected at the time.

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John Lennon Was so Bashful, He Refused to Make This Song a Single

The closing track of John Lennonโ€™s second solo album, Imagine, is an unabashed testament to his love for, devotion to, and need of his wife and creative partner, Yoko Ono. Aptly titled โ€œOh Yoko!โ€, the song begins, โ€œIn the middle of the night / In the middle of the night, I call your name / Oh, Yoko / Oh, Yoko / My love will turn you on.โ€ Lennon continues to list other places where heโ€™s overcome with the desire to call out for his wife, including the bath and โ€œin the middle of a shave.โ€ Itโ€™s the kind of hopelessly devoted love song that most people would swoon over. But to Lennon, it was an embarrassing moment of intense vulnerability.

Speaking to David Sheff in 1980, Lennon said that despite the Imagine closerโ€™s popularity, he was โ€œsort of shy and embarrassed. It didnโ€™t sort of represent my image as the tough, hard-biting rock โ€˜nโ€™ roller with the acid tongue. Everybody wanted it to be a single. The record company, the public, everybody. But I just stopped it from being a single โ€˜cause of that. Which probably kept it in number two. It never made number one. The Imagine album was number one, but the single wasnโ€™t. The only number one Iโ€™ve had since I left The Beatles was โ€œWhatever Gets You Through the Nightโ€, which was more like a novelty record.โ€

For whatever itโ€™s worth, Lennonโ€™s sole single from Imagine, the idealistic title track, did reach No. 1 in Australia and New Zealand. But in the U.S., โ€œImagineโ€ only hit No. 3 on the Billboard Hot 100.

The Ex-Beatleโ€™s Thoughts on โ€œOh Yoko!โ€ Contradicted Previous Statements

Itโ€™s always easy to take a hard stance about something when youโ€™re removed from the situation, which is something John Lennon seemed to demonstrate in his final interviews with David Sheff. Although he admitted that the sentimentality of โ€œOh Yoko!โ€ embarrassed him so much he didn’t want it to be a single, this notion directly contradicted earlier statements he made to Sheff about how his job inherently meant there was no privacy, no โ€œpersonal life,โ€ and no hiding.

When asked about the love songs he and Yoko Ono wrote for one another, Lennon said, โ€œYou write about what you know, at least I do. There is no line between private and public. There is no line. โ€˜Everybodyโ€™s got something to hide except me and my monkey.โ€™ There is nothing to hide, really. We all like to s*** in private, and we have certain little things that we prefer to do privately. But in general, what is there to hide? Whatโ€™s the big secret?โ€

โ€œThe secret is there is no secret,โ€ he added. And maybe thatโ€™s true. But at least by refusing to release โ€œOh Yoko!โ€ as a standalone single, Lennon was able to keep some of his secrets hidden in plain sight.

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