Behind the Album

On This Day in 1971, Marvin Gaye Changed His Musical Legacy Forever With One Monumental Album

On May 21, 1971, Marvin Gaye took an already impressive musical career and elevated it to new heights with a monumental album that would surpass all his previous work in terms of cultural significance and timelessness. With hits like โ€œI Heard It Through the Grapevineโ€ and โ€œAinโ€™t No Mountain High Enoughโ€ already under his belt, Gaye was no stranger to the top of the charts.

But his eleventh studio album was a remarkable shift in both style and messaging, serving as an incomparable high point of a career that was tragically cut short by his own father just 13 years later.

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Marvin Gaye Changed His Musical Legacy Forever In 1971

Marvin Gaye had already established his career as an incredibly popular recording artist prior to the release of his eleventh studio album on May 21, 1971. The soul singer landed his first No. 1 hit years earlier with his 1968 single, โ€œI Heard It Through the Grapevine.โ€ Other notable hits included โ€œIโ€™ll Be Doggoneโ€ and a series of duets with the late Tammi Terrell, including โ€œAinโ€™t No Mountain High Enoughโ€ and โ€œYour Precious Love.โ€ And while these were great radio hits about love and heartache, they certainly didnโ€™t garner Gaye the reputation of a powerful social and political activist. But in the spring of 1971, that changed forever.

Gayeโ€™s eleventh studio album, Whatโ€™s Going On, would prove to be the most political record of his entire career. The concept album followed the perspective of a Vietnam veteran who returns to his home country of the United States to find society rife with violence, anger, and injustice. Gaye released the title track as the lead single off the record in January 1971, followed by โ€œMercy Mercy Me (The Ecology),โ€ โ€œInner City Blues (Make Me Wanna Holler),โ€ and โ€œSave the Children.โ€ The album was a massive success, peaking at No. 6 on the Billboard Pop Albums chart and No. 1 on the Top Soul Albums chart, where it stayed for five weeks straight.

Whatโ€™s Going On not only cemented Gayeโ€™s legacy as an artist of writing and recording powerful, politically and socially focused music. But it also set records, turning Gaye into the first male solo artist to achieve three top ten singles from the same album after โ€œMercy Mercy Me (The Ecology)โ€ and โ€œInner City Blues (Make Me Wanna Holler)โ€ joined โ€œWhatโ€™s Going On?โ€ at the top of the charts.

How A Round Of Golf Led To The Monumental Album

Whatโ€™s Going On is as inextricably tied to Marvin Gayeโ€™s musical legacy as his other far less socially minded hits like โ€œLetโ€™s Get It Onโ€ and โ€œThatโ€™s the Way Love Is.โ€ But for a brief moment, the singer refused the opportunity to cut the albumโ€™s title track. Four Tops singer Renaldo โ€œObieโ€ Benson wrote โ€œWhatโ€™s Going Onโ€ after witnessing a violent protest at Berkeleyโ€™s Peopleโ€™s Park dubbed โ€œBloody Thursday.โ€ Sometime later, Benson was golfing with Gaye when he offered the song to the โ€œGrapevineโ€ singer. Gaye refused, suggesting a different Motown act who could record it instead. At the insistence of Benson, Gaye decided to cut the track himself.

Although it took some convincing on Bensonโ€™s part to get Gaye to track โ€œWhatโ€™s Going On,โ€ the latter performer was already headed in that direction. In a later interview with Rolling Stone, Gaye said, โ€œIn 1969 or 1970, I began to re-evaluate my whole concept of what I wanted my music to say. I was very much affected by letters my brother was sending me from Vietnam, as well as the social situation here at home. I realized that I had to put my own fantasies behind me if I wanted to write songs that would reach the souls of people.โ€ And indeed, Whatโ€™s Going On did just that.

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