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Patsy Cline Was the True Queen of Breakup Songs, and These 4 Songs Prove It

The late, great Patsy Cline had the kind of voice that could cut right down to the bone in the best kind of way. The country-pop crossover artist had a way of capturing melancholy that was almost soothing because of its beauty, making her collection of breakup songs some of the best in either genre. Some of her biggest hits, like her renditions of Willie Nelsonโ€™s โ€œCrazyโ€ or โ€œWalkinโ€™ After Midnightโ€, were about lost love and heartache.

But weโ€™d argue these four breakup songs by Patsy Cline are even better.

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โ€œThree Cigarettes In An Ashtrayโ€

Patsy Cline released this heart-wrenching breakup song, โ€œThree Cigarettes In An Ashtrayโ€, as a single from her eponymous debut album in 1957. Written by Eddie Miller and W.S. Stevenson, the song describes two lovers drifting apart through the imagery of an ashtray that starts with two cigarettes and ends with three, indicating that the object of the songโ€™s heartache has left her for another. This song got overlooked in the shadow of her monumental success, โ€œWalkinโ€™ After Midnightโ€, but this writer would argue โ€œThree Cigarettesโ€ is Cline at her best. 

โ€œSheโ€™s Got Youโ€

When Patsy Cline first learned โ€œSheโ€™s Got Youโ€ by Hank Cochran, the songwriter was sitting in Clineโ€™s kitchen as she cooked dinner with Dottie West. After asking Cochran to sing it several times through, Cline picked up the lead, bringing herself and West to tears. Cline knew right away that the song was a hit, recording it the following week and releasing it in January 1962. And indeed, itโ€™s hard to find a comparable match to Clineโ€™s desolation as she sings, โ€œThe only thing different, the only thing new / Iโ€™ve got your picture, sheโ€™s got you.โ€

โ€œThe Wayward Windโ€

โ€œWayward Windโ€, from Patsy Clineโ€™s second album, Showcase, is the kind of breakup song that sneaks up on you. The melody sounds distinctly Western, with imagery of restless winds and rumbling train cars. Toward the middle of the song, the narrator reveals that the wayward wind sheโ€™s singing about is a man she met in a border town who left her. In a strange way, Clineโ€™s contemplative vocal delivery suggests the narrator, though heartbroken, understood that a man like the one sheโ€™s singing about would have never stayed in the first place.

โ€œHalf As Muchโ€

Realizing that someone you love doesnโ€™t care as much about you is a devastating blow. And Patsy Cline certainly captures this confusing blend of frustration, sorrow, and longing in the way she sings her 1962 track, โ€œHave As Muchโ€. โ€œIf you loved me half as much as I love you / You wouldnโ€™t worry me half as much as you do.โ€ On higher lines, Cline almost cries out the melody, adding even more emotion to an already crushing breakup song. Though other renditions, like the original by Hank Williams or the subsequent cover by Rosemary Clooney, might be more ubiquitous, thatโ€™s not to say they express these feelings more accurately.

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