Behind The Song

The Future Doors Classic That Convinced the Band To Play With Jim Morrison

When the Doors first met Jim Morrison, not everyone was convinced he had the potential to be a rock โ€˜nโ€™ roll frontmanโ€ฆthat is, until they heard the lyrics to what would become one of the most classic songs in their catalogue. Even without melody or instrumental arrangement, the band knew they had just found something special.

It just goes to show you should never judge a book by its cover, especially when that book is the pained creative type.

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Bandmates Recall Meeting Jim Morrison For The First Time

The Doors keyboardist Ray Manzarek was the first person to run into Jim Morrison on Venice Beach in the summer of 1965. The two former UCLA classmates began talking about music. Morrison shared lyrics he had been writing, and Manzarek was inspired to come up with a sonic backdrop for his eerie, metaphysical poetry. Manzarek happened to know a drummer, John Densmore, from a meditation class and invited him to join his jam sessions with Morrison.

In a later interview with Dan Rather, Densmore recalled going to the garage for his first practice with Manzarek. โ€œLurking in the corner is this guy, barefeet, t-shirt, cords. Really shy,โ€ the drummer said. โ€œRay says, โ€˜This is Jim, the singer.โ€™ And Iโ€™m like, โ€˜Are you kidding?โ€™ But then he hands me some lyrics. The day destroys the night, the night divides the day. Tried to run, tried to hide, break on through to the other side. Iโ€™m like, โ€˜Wow, I want to drum to that immediately.โ€™โ€

โ€œHe had never sung before,โ€ Densmore continued. โ€œHe said he heard a concert in his head. But he had never done this. So, it was just a gift. A lot of singers blow out their throats singing improperly, and he never did. He could scream from the bowls of his soul. In the beginning, he would face [the band] at the London Fog. He couldnโ€™t even look out at the audience. But he gradually evolved into the lizard king.โ€ Guitarist Robby Krieger, who joined the band several months after Densmore, added, โ€œI think he always had that in him.โ€

That First Song Became a Doors Classic and Concert Staple

The first song that Jim Morrison ever showed drummer John Densmore, the one that adequately convinced him of Morrisonโ€™s frontman abilities, became the bandโ€™s opening track of their eponymous 1967 debut. โ€œBreak On Through (To the Other Side)โ€ wasnโ€™t their most commercially successful song from the album. โ€œLight My Fireโ€ far and away earned that superlative after spending three weeks at No. 1 on the Billboard Hot 100 chart. Still, โ€œBreak On Throughโ€ has become synonymous with the bandโ€™s legacy.

While the songโ€™s bossa nova introduction and driving groove make it an easy, fun listen, one of the most alluring parts of the song is Morrisonโ€™s psychedelic imagery. Morrisonโ€™s reputation might have moved to the forefront of the bandโ€™s image after multiple arrests, on-stage outbursts that led to the Whisky A Go Go firing the band, and, of course, his tragically young death at 27. But his poetry was the glue that held the Doors together.

As John Densmore explained to Dan Rather, โ€œSelf-destruction and creativity donโ€™t always come in the same package. Picasso lived to 90. But with Jim, they came together. Time has helped me notice that, wow, I really miss his words. God, and his melodies. He had melodies in his head. He couldnโ€™t play a guitar, couldnโ€™t play a chord on anything. But in his mind, he had this stuff.โ€

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